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Tim Fairfax, 2018

Commissioned with funds provided by The Calvert-Jones Foundation 2018

Katherine Bennett

The lady in the centre of this photograph is my partner's Granny. So we are almost directly related, and here, as with all photographic work. I am in a state of exchange though I think only directly, with one of the women!

Finalist interviews

Interviews with NPPP 2013 finalists Melanie Faith Dove, Simon Harsent, Ahmad Sabra, Sharon Zwi, Katherine Bennett, Krystal Seigerman, Arianne McNaught, Janet Tavener, Louise Whelan, Myles Nelson and Heather Corrigan.

Bangarra brothers: songman, storyteller, dancer

Creative kin

NPPP 2013 learning resource

Exploring select works from the NPPP 2012. For secondary students.

The Last Paul Mumme Work, 2015

Finalist, DPA 2016

2012-13 Acquisition Fund

The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.

National Photographic Portrait Prize 2018

Images for media use will be available from 8 March 2018.

National Portrait Gallery unveils twenty new portrait commissions to celebrate twenty years

The National Portrait Gallery has unveiled twenty new portrait commissions of Australian leaders and individualists as part of its twentieth birthday celebrations in a new exhibition, 20/20: Celebrating twenty years with twenty new portrait commissions.

Richard Tognetti #1510, 2018

Commissioned with funds provided by Peter Weiss AO 2018

Announcing.... In their own words

Inspiring Australians tell their own stories in a unique new gallery audio tour, developed in collaboration with the National Library of Australia.

2023 Annual Appeal

In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.

Portrait Donors

NPPP 2016 exhibition essay

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

History

How the National Portrait Gallery and its unique collection came to be

Lucy Culliton

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.